Fashion Academy · Garment anatomy

The Shirt

A classic button-up shirt combines clean lines with highly precise construction. This guide identifies the components that shape its fit, movement, durability, and professional finish, from the structured collar to the curved shirttail hem.

Technical drawing

Front view · Back view
Black-and-white technical drawing of a classic long-sleeve button-up shirt shown from the front and back

Collar

Collar stand

Shoulder seam

Armhole

Chest pocket

Front placket

Buttons & buttonholes

Front body

Back yoke

Back pleat

Long sleeve

Back body

Sleeve placket

Cuff

Side seam

Curved shirttail hem

The drawing shows a standard woven shirt with a point collar, buttoned front, set-in sleeves, back yoke, box pleat, and tailored cuff openings.

Construction

Parts of the garment

Every component has a structural and visual purpose. The explanations below connect the vocabulary of the technical drawing with the pattern-cutting, assembly, and quality decisions behind a well-made shirt.

01

Collar

The collar frames the neck and establishes much of the shirt’s character. A point collar is made from upper and under-collar pieces, usually strengthened with interfacing so the points remain crisp. The length, spread, and roll of the collar must be balanced with the neckline and intended level of formality.

02

Collar stand

The collar stand is the shaped band between the collar and the neckline. It lifts the collar away from the body, curves around the neck, and carries the top button and buttonhole. Accurate clipping, grading, and pressing are essential because even a small mismatch can make the collar twist or sit unevenly.

03

Front placket

The front placket reinforces the shirt opening and provides a stable base for buttons and buttonholes. It may be formed by folding the front edge or by attaching a separate strip. Its width, topstitching, and grain alignment must remain perfectly consistent so the center front hangs straight.

04

Buttons and buttonholes

Buttons and buttonholes close the garment and create a strong vertical rhythm. Their size must suit the fabric weight, while spacing must prevent gaping at the chest and waist. Buttonholes are normally worked vertically on the front placket and horizontally at the collar stand and cuffs, where directional stress is greater.

05

Chest pocket

The chest pocket adds function and visual balance to the front. Its placement is measured from both the center front and the shoulder so it remains level when worn. A cleanly turned top edge, even corners, secure bar tacks, and precise topstitching distinguish a professional patch pocket from a casual approximation.

06

Shoulder seam

The shoulder seam joins the front to the back or yoke and carries the garment’s weight. Its angle influences how the shirt sits across the upper body, while its length affects sleeve position. The seam should align with the wearer’s shoulder line without pulling toward the neck or dropping too far down the arm.

07

Back yoke

The back yoke is the shaped panel across the shoulders. It stabilizes the upper back, supports the collar, and lets the lower back be cut with additional ease or on a different grain. In refined construction, a double yoke encloses the internal shoulder seams for a clean and durable finish.

08

Armhole

The armhole is the curved opening into which the sleeve is set. Its depth and shape control mobility, comfort, and the smoothness of the sleeve head. A high, well-shaped armhole generally permits better movement, while an overly low armhole can lift the entire shirt when the wearer raises an arm.

09

Long sleeve

The long sleeve is cut with a shaped sleeve head and tapers toward the wrist. Its pitch must match the natural resting angle of the arm so the fabric hangs cleanly. Width through the bicep and elbow provides movement, while controlled ease at the wrist is gathered or pleated into the cuff.

10

Sleeve placket

The sleeve placket forms a reinforced opening at the lower sleeve, allowing the hand to pass through while creating a neat transition into the cuff. A tower placket has a pointed overlap and narrow underlap. Exact folding, topstitching, and reinforcement at the opening prevent fraying and tearing.

11

Cuff

The cuff finishes the wrist and controls the fullness of the sleeve. It is normally interfaced, folded, and edge-stitched to maintain a clean shape. Button placement determines wrist circumference, while the cuff-to-placket alignment must allow the overlap to close smoothly without twisting the sleeve.

12

Side seam

The side seam joins the front and back from the underarm to the hem. It defines the shirt’s overall volume and taper through the torso. A flat-felled or enclosed seam is often chosen for strength and a tidy interior, and both sides must remain balanced so the garment does not rotate around the body.

13

Front body

The front body forms the main visible surface of the shirt and includes the neckline, shoulder, armhole, placket, and hem shaping. Its pattern controls chest ease and front length. Correct grain placement keeps the placket vertical and ensures checks, stripes, or directional prints align intentionally.

14

Back body

The back body provides width and length across the shoulder blades and torso. It hangs from the yoke and must balance with the front so the side seams remain vertical. Its volume can be adjusted through pleats, darts, or shaping at the seams depending on the desired fit.

15

Back pleat

The back pleat adds movement ease beneath the yoke without increasing the entire shirt circumference. A center box pleat opens as the arms reach forward, then returns toward its folded position at rest. Symmetrical folding, accurate basting, and secure attachment keep the pleat centered and controlled.

16

Curved shirttail hem

The curved shirttail hem lengthens the front and back while rising at the side seams, allowing the shirt to be tucked in securely or worn untucked with a balanced profile. Because the curve narrows the turn-up, the hem must be eased and pressed carefully to avoid puckering or twisting.